Wednesday, February 26, 2014

America - everyone's imaginary love

There is a lot of love and admiration for America outside of its borders. At the same time Americans in the country are full of dissatisfaction and even outright loathing for the state of the union and its vicious actions abroad. Americans think that they are powerless to change the situation internally and ambivalent about the value of cultures and societal arrangements of foreign countries. They admire the "communities" maintained by materially deprived peoples and are shocked by the rules that restrain individual liberties there.

Lacan has implied in his lectures, quite derisively, that America is sustained by a culture of the imaginary. That individuals dream up their dreams and work to realize them without quite bothering to internalize the meaning of their life and career. You become what you may in the course of pursuing your dream - this is the idea. In other cultures it behooves the individual to validate the course of his career with the society, with the roots where he comes from. His life becomes a sort of service to the society that brought him up, a sort of repaying the debt of being immersed in the Other's view of the world. So that is why when people outside of this country dream their dream is American.

I saw a film a few days ago. A new Belgian film by Felix van Groeningen titled: "The broken circle breakdown", released just late last year 2013. It is about a Belgian Dutch speaking couple involved in a bluegrass band that literally worships American culture - mostly folk and country culture - and their conflict around the death of their daughter who succumbs to leukemia at the age of 7. The film is an homage to the American imaginary way of life even when the main hero rants from the stage against Bush and the religious right who restricted the support for stem cell research. That technology and scientific progress could have saved their daughter or other children in the future. He worships the American country culture with bluegrass music being its pinnacle - yet cannot admit that it expresses the imaginary and naive field of belief in supernatural beings who control our lives. That belief can make its way all the way up the chain of government. He would prefer science to have the control of our lives. Here his woman partner protests - she claim the right to believe whatever she wants (and accords the same right to the naive Americans - so much cultivated in the life of the band). She chooses to unconsciously believe the lies told to her dying daughter about the star that she becomes - a star that shines its rays into the eyes of beings in the future. She believes that the image of the raven will deter the birds from crashing into the glass of the veranda. She blames herself and her partner for the death of her daughter - predicating their faults on scientific theories of hygiene of pregnancy and child rearing. He is closer to the scientific naivete when he tells his dying daughter the story of the star's light surviving its lifespan and giving of light to observers far off in the future. That story soothes the child's dying moment but is totally imaginary. The contradictions in the minds of the adults between what they imagine about themselves and the world and what they are compelled to know and rationally profess are quite apparent and explode in emotional outbursts. The woman commits suicide. While her comatose body is disconnected from life support her husband's band plays a bluegrass "breakdown" tune as a funerary dirge.

Another night I attended an eclectic performance that included two modern art pieces and one traditional presentation of Indian classical dance. It is amazing how much the emotional life and the interactions that observe those are formalized in language. The gesture of dance speaks of what lives in the imagination and expresses itself as emotions. However, the latter are captured in language. In the case of that performance in the language of dance - in gesture. It is anti-expressionistic - the body is harnessed by language.

The solo female dancer ended her performance with an homage to America. She presented the song "God bless America" (or another of those songs of patriotic devotion) in Indian classical dance. It was very interesting and beautiful. However, I felt a certain uneasiness and even horror in the American audience that the performer, an immigrant, did not expect to arouse. The motive of the performer was to express the love and admiration for America and the benefits of its civilization. Americans, the natives of this land foremost, not necessarily "native" Americans - do not feel that admiration and do not have a sense of what this country offers to the world and how much it is loved for it. I felt uneasy too - about the uneasiness of the "born-here" Americans, their cringing at someone from the outside imagining something about them that they do not dare imagine themselves anymore.